(Villon's Wife) Visual Literature - Samson

If you say to people Takako Matsu, they will respond with "Confessions". While that session is sold out tonight, you can still catch her up on the big screen at the 14th Japanese Film Festival this Saturday, in an ellegant performance in "Villion's Wife". Samson Kwok from Heroic Cinema is back with a look into this adaption, which also stars international smash hit Tadanobu Asano.

”Love is patient, love is kind. It does not envy, it does not boast, it is not proud. It is not rude, it is not self-seeking, it is not easily angered, it keeps no record of wrongs. Love does not delight in evil but rejoices with the truth. It always protects, always trusts, always hopes, always perseveres.”

Otani (Asano Tadanobu) does not know what love is, but his wife Sachi (Matsu Takako) certainly does. He is a talented writer, but an uncaring husband. After he steals a large amount of money from the owners of a Japanese pub, Sachi decides to work there to repay his debts. While she gains popularity and rediscovers happiness, Otani continues further and further down his self-destructing path...

Looking at the synopsis, readers are probably getting the impression that Villon’s Wife will be a most depressing and difficult film to watch. Fortunately, thanks to director Kichitaro Negishi’s skilful storytelling and sensitive approach to the material, the film is more gentle than confrontational. Viewers are taken on a journey with the film’s two leads, and may well reflect upon their own relationships during it.

Sachi is a good woman. She is kind, intelligent and forgiving. When things do not go right, she does not complain but instead works calmly towards a solution. She may have sinned, but everything she has done appears to be for her husband and son. Otani, on the other hand, is an amoral self-centred womaniser who is heavily hooked on alcohol, and it is fair to say his life is an absolute mess. (I realise I am not very fond of this character, and therefore will refrain from using any stronger words to describe him so that this review can retain its G rating.)

The character of Sachi is played by Matsu Takako (K-20: Legend of the Mask – 13th JFF, Confessions – 14th JFF), who delivers a career-defining performance as the long-suffering wife of a husband absolutely undeserving of her love. Takako perfectly portrays the pain and internal conflicts experienced by Sachi, and is totally believable as a young woman caught in a very difficult marital relationship. She has deservedly won a number of Best Actress Awards including at this year’s Japanese Academy Award. Female viewers in particular will be touched by her self-sacrifice but may at the same time be frustrated by the fact that she chooses to stand by a man like Otani.

Asano Tadanobu (The Summit: A Chronicle of Stones – 14th JFF, Last Life in the Universe) plays Otani with quite a subtle performance to portray the tortured soul. While the role is unlikeable, Tadanobu has given a solid performance, which I am sure is good enough for some audience to feel sympathetic towards his character.

Villon’s Wife is literature in a visual form. It is a film about life as much as it is about love. Its success comes from the assured direction, beautiful performances and well-written characters. Especially, I think Takako’s performance is extraordinary, and Sachi is a very special character indeed." by Samson Kwok

Thanks to Samson Kwok for that interesting piece. The film is based on a semi-autobiogerpahical novel by Osamu Dazai, and raises memories of Billy Wilder's "The Lost Weekend". The film marks the 100th anniversary of Dazai's birth and is not to be missed by film lovers.

(Dear Doctor) I Had An Appointment - Samson

Today we ramp up our look at the films in the festival, with Samson taking a fine tooth comb to our Wednesday night lineup. You can see his thoughts on the Hitchcock-esque suspense thriller Zero Focus here, or read on to take a trip to the Doctors office with Dear Doctor. Its just 4 days till the festival kicks off in Sydney, so start planning your film lineup!

Dear Doctor,

It’s been 6 months since you left without saying goodbye. There have been a lot of rumours about you, but even if they are all true, we still want to tell you how grateful we are for all the things that you have done for our village over the past few years.

Yours sincerely,

Residents of your village

"A country doctor has gone missing. The police is involved and soon discovers that while most of the village people think remarkably highly of him, there is actually little known about him. As they go on to interview many of those who were closely associated with him, it becomes apparent that he is a man with many secrets...

The title of the film is one of the best I have seen in recent years. Simple, yes, but also deeply meaningful. The film could easily have been called Disappearance of Osamu Ino, but that would not highlight what a special character this doctor is. The word ‘dear’ in the title does not refer to the cost of this doctor’s service (though the movie does hint that he earns a fortune), but how close he is to the villagers and the place he has in the hearts of many of them.

It is ironic then, that his real identity is at conflict with his perceived role of a doctor. I don’t want to discuss this here for it may spoil your viewing pleasure. All I want to say is that the character is flawed but at the same time compelling. Actor Tsurube Shôfukutei (About Her Brother - JFF14) brings the doctor character to life, and impressively achieves so not so much by spoken words, but his facial expressions and body language that perfectly portray the conflicting emotions of pride and guilt experienced by Dr Ino.

The cast is stellar and performances are solid all round. Stand outs include those by Kimiko Yo (A Lone Scalpel - 14th JFF, Departures - 12th JFF) playing the experienced nurse who frequently keeps the doctor out of trouble at times of crisis (and deservingly winning the Japanese Academy Award for Outstanding Performance by an Actress in a Supporting Role), Kaoru Yachigusa playing the very ill elderly widow in what I consider an equally impressive performance as Yo’s, and Teruyuki Kagawa (The Summit: A Chronicle of Stones - 14th JFF, Memories of Matsuko  -12th JFF) playing the drug company sales representative who perhaps knows the most about the doctor’s secrets.

The story is told brilliantly by director Miwa Nishikawa, who also wrote the script, for which she won Screenplay of the Year at the Japanese Academy Award. She progressively and cleverly reveals the doctor’s role in this small village, and the reason so many people, including young medical intern Dr Suma, come to respect him so much despite his often ineffective treatment.

Dear Doctor is a fine example of an interesting story told well, and ultimately it is a rich character-driven drama featuring great performances. Just as a bonus, the Japanese countryside is wonderfully captured on film by the camera of Katsumi Yanagijima (Battle Royale, Zatoichi) and this is a gorgeous picture to look at. I would sincerely recommend this film to anyone who enjoys fine dramas." - Samson Kwok, Heroic Cinema

Don't forget to look out for the stars of "Dear Doctor" in our Opening and Closing night films, Tsurube Shofukutei ("About Her Brother"), and Kimiko Yo ("A Lone Scalpel"). Wednesday promises to be a great day out at Event Cinemas, and we hope to see you there!

Japanese Film Festival Preview - Samson

One of the first contributors we looked to for this blog was the passionate Samson Kwok of Heroic Cinema. A master on all things Asian cinema, Samson jumped at the opportunity to be involved with this blog of creative expression. He has put together a preview of the festival which you can read below. 

Don't forget if you want to contribute to this entertaining blog then get in touch with Assistant Coordinator Kieran Tully at assistantcoordinator@jpf.org.au now. Bring on the festival!

"The fabulous Japanese Film Festival, now into its 14th year, is almost here! This year, fans will get to choose from an incredibly strong line-up of Japanese films, many of which have never been shown in Australia previously.

Whether you are in the mood for something inspirational (Feel the Wind), delicious (Flavor of Happiness), bittersweet (Solanin) or suspenseful (Zero Focus), it is guaranteed that you will not be disappointed. Plus there are award-winning dramas (Villon's Wife, Dear Doctor), film festival favourites (Confessions, About Her Brother), historical epics (Castle Under Fiery Skies, Sword of Desperation), and heaps more...

Are you excited? If the answer is 'yes', please mark the following dates in your calendars and run for your tickets when they go on sale:

Perth: 18 - 29 October

Brisbane: 27 - 29 October

Canberra: 10 - 21 November

Sydney: 22 - 28 November

Melbourne: 2 - 7 December

Hobart: 12 - 16 December

Also check out the recently launched 14th Japanese Film Festival website for the complete line-up and ticketing information." Samson Kwok, Heroic Cinema.

Don't forget to check out Heroic Cinema for some special early reviews of films featured in the festival. Be on the look out for more interesting pieces by Samson and other JFF lovers right here on the blog over the course of the build up to the festival.

See you next time on the blog!